AUGUST 5TH: THE REJUNVENATION OF BHARAT’S GRAND NARRATIVE
On August 5th , the Prime Minister performed the bhoomi
poojan in Ayodhya thereby laying the
foundation for constructing a mandir for Ram Lalla. This event not only
has religious and cultural connotations but also is a change in the
civilizational landscape of Bharat. It is in fact a green-shoot indicating the
revival of the Indian Grand Narrative.
RAMAYANA: A
TEXT WHICH DEFINES THE CIVILIZATIONAL LANDSCAPE OF BHARAT
A portrait of Lord Rama , Sita and Lakshmana in the original copy of the Indian Constitution |
The story of Rama can be traced to the genealogy of the Ikshvaku
Kula of the Soorya Vimsha in the Valmiki Ramayana. However , this katha
of Rama is told in many different ways by many different stalwarts from many
different parts of Bharat. Within the realm of Samskritam itself , we have many
other versions of the Ramayana like the Adbhuta Ramayana (which gives us
insight to Sita and her childhood) , Vasista Ramayana (which primarily deals
with the story of Shri Ram from an Advaitic prespective). It also played an
important inspiring source in the domain of drama or nataka . Some famous
works include the Raghuvamsa of Kalidasa
, the Pratima Nataka of Bhasa and the Prasana Raghava by Jayadeva. Many literary
works which have been identified with Rama can be dated back to the time of the
Bhakti movement. The great exponents of the various sub-schools of Vedanta
darshana too have venerated Lord Rama through various granthas. The Sri
Ramachandra Bhujangam of Shankara Bhagavatpada and the Raghuveera Gadyam by Vedanta Desikar are
stellar works from an Advaita and
Vishistadviata prespective. Ramayana
also penetrated the vernacular languages. In Bengal , Krittivasi Ramayana of
the 15th century ruled the roost in the east. In Tamil Nadu , it is the
Kambaramayanam , a 12th century work which is celebrated and one
should also mention the Perumal Thirumozhi of Kulashekara Alzhwar which sings odes about the Lord. In Kerala, there is an interesting text called the Mappila
Ramayana which is said to be popular among the Islamic community. In fact ,the
Urdu Poet Allama Iqbal referred to Rama as “Imam-e-Hind”,the spiritual
role-model of Hindusthan. Even Nastika schools of darshana like Jainism and
Buddhism have their own telling of this great itihasa. The Dasarata Jataka talks
about Iksvaku kula and Rama. In early buddhist texts, we also find a reference
that Buddha was part of the Soorya
Vimsha lineage of Lord Rama. The Pauchariyam , a Jain text mentions Rama as the
eight balabhadra of the 63 sakalapurushas. The
most famous vernacular retelling is of course Tulsidas’s Ramachirtamanas in
Awadhi. The performance of Ram Leela in various parts of North and West India
during Dusshera and the practice of Ramayana saptaham in the South during
Navaratri shows the festive aspect of this cultural narrative. Major temples in
Tamil Nadu have stone carvings on the
walls depicting various scenes of the legend. All musical sampradayas venerate
Lord Rama through the medium of sangeetha and namasankeerthana. One of the most
prominent vaggeyakara of Karnataka Sastriya Sangeetha was Tygaraja who was also
one of the foremost Rama bhakthas. He has composed more than 600 kritis
depicting various aspects of Rama. For example, the Pancharatna Kritis
describe Rama as the Paramatma from an
Upanishadic lens while the Utasava Sampradaya kritis are to do more with
description of the beauty of Lord Rama through the prespective of Shringara
Rasa. All these literary, musical and artistic references to Ramayana acting as a
centripetal force helps in building a cultural narrative. Thus, this cultural
narrative not only lives through static literary works but also dynamic fine
art forms and music.
RAMAYANA AND THE SOUTH-EAST ASIA CONNECT
“ …… RAMAYANA HAS ADAPTED AND ASSIMILIATED INTO MANY ASIAN CULTURES AND LANGUAGES. FOR INSTANCE THERE IS APLACE CALLED AYODHYA IN THAILAND , AND IN BALI THERE IS A “MONKEY FOREST” WHERE MONKEYS ARE WORSHIPPED AS DESCENDANTS OF HANUMAN , THE MONKEY DIETY WHO WORSHIPPED AND SERVED LORD RAMA”
(Being Different, Rajiv Malhotra)
In 2018 , when PM Modi inaugurated a 5-day festival in Delhi
commemorating various Ramayana performances , it was done in the context of the
ASEAN Summit. The ASEAN is a group of 10 south-east Asian which in fact reminds Bharat of her civilizational footprint on the global stage. The Ramayan has
been popular in South-East Asia for centuries; its spread and popularity
highlight the enduring appeal of India’s soft power. PM Modi pointed out how
the festival reveals India’s “deep civilizational and historic relations"
with ASEAN, and said that it is “a
fitting prelude" to the ASEAN-India commemorative summit. Having said that
the impact the Ramayana had on these countries is enormous. The Ramayana is
believed to have arrived at Cambodia sometime during the 7th century in the
form of a poem. This is according to the Veal Kantel inscriptions. Titled
Reamker, which means "Glory to Rama" in the Cambodian language,
famous scenes of the epic can be seen on the walls of the Royal Palace and
Angkor Wat. Even Indonesisa which is heavily influenced by India, the characters from
the Ramayana can be seen in the 9th century Prambanan temple in Yogyakarta.
Interestingly,
the Laos version of the story, Phra Lak Phra Lam, focuses more on the heroism
of Rama's brother, Lakshamana. The Malaysian retelling, Hikayat Seri Rama
(Chronicle of the Great Rama), is a little more special because it incorporates
shadow puppetry. Yama Zatdaw or Yamayana of Burma is read even today which was heavily influenced by the Thai version of the Ramayana due to the invasion of Burma by the
Siamese kings of the Konbaung Dynasty during the 15th century. The Ramakein of
Thailand is considered as a text of national importance in the country even today and the
Philippines too has its own version called the Maharadia Lawana. This shows that the Ramayana had facilitated the peaceful Sanskritization of south east Asian
making it one of the most exceptional global and civilizational narratives.
GEOGRAPHICAL SIGNIFICANCE
A map showing the tentative journey of Rama during the 14 year vanavasa |
“THE TWO
EPICS HAVE VERY DIFFERENT CARDINAL ORIENTATIONS FROM THAT OF THE SAPTA-SINDHU CONCEPTION
OF THE LANDSCAPE. THE GEOGRAPHY OF THE RAMAYANA IS ORIENTED ALONG A NORTH-SOUTH
AXIS WHILE THE MAHABHARATA IS GENERALLY ORIENTED ON AN EAST-WEST AXIS.”
(Ancient India Awakens, Sanjeev Sanyal)
The amount of geography covered in the both Ithihasas and the Puranas is immense. Specifically coming to the Ramayana, the geography covered is more as stated above along the north-south axis. The Ramayana describes Ayodhya as being to the north of the Ganga, south of the Sarayu, west of Magadha and east of Hastinapura (near Meerut in U.P.) which exactly matches the city’s location even today. In the Bala Khanda , Valmiki also describes rivers like Ganga and janapadas like Mithila (in present Bihar) during Rama’s journey with Vishwamitra. In Ayodhya and Aryana Khanda , Rama during his 14 year vanavasa visits the ashramas of many rishis. Some examples include Bharadwaj’s hermit at Prayaga (present day Prayagraj) ,Atri’s hermit in Dandakavana( present day Chattisgarh) , Sharbhanga’s hermit at Chitrakoot and Sutheekshina’s hermit at Sarangpur (present day Panna district , Madhya Pradesh). In fact , in the Ayodhya Khanda, we find a mention that Kaikeyi was from “Kekeya janapada” which can be mapped to present day Pakisthan-Afghanisthan thereby indicating the civilizational ambit of Bharat. The Ramayana also describes Dakshina Saagara as being a body of salt-water, a refuge of graahas (sharks; literally “grabbers”) and an abode of makaras (mythical sea-creatures with parts of an elephant, crocodile, stag and fish). Places like Lepakshi(where it is believed the Jatayu Moksha is to have happened) and Rameshwaram (from where the Ram Setu was started to being constructed) find mention in various versions of the Ramayana. Sri Lankan locations like Talaimanner (the other end of the Ram Setu) ,Ashoka Vitaka (in present day Sita Eliya) and Divurumpola (where the Agni Pariksham of Sitha was performed) are still of religious importance to many pilgrims even today. Thus the Ramayana emboldens the geographical dimension of this grand narrative.
RAMA : A CIVLIZATIONAL HERO
“THE IDEA OF RAM ALSO HELP BHARAT’S
POLITICAL CONSCIOUSNESS. THE MANTRA “SRI RAM JAI RAMA JAI JAI RAMA” WHICH IS
CREDITED TO SWAMI RAMDAS, THE GURU OF SHIVAJI ALSO LINKS RAMA TO OUR STRUGGLE
FOR SVARAJYA, FREEDOM FROM BONDAGE AND SLAVERY”
(Sri Rama: Back to Ayodhya , Makarand R Paranjape)
The idea of
Rama was one of the founding principles of our Freedom movement. MK Gandhi’s
entire idea of freedom was built on the virtues that Rama enshrined.
In fact, his thoughts on governance and economic ideas were largely influenced
by “Ram Rajya” which was reiterated by the Prime Minister in his speech. But it
was the same Rama who was used by the Maratas as a symbol of valour. This
brings us to a larger question regarding the reason why Rama is considered to
“Maryada Purushotham”.
The
Ramakrunatham of Bodendhrlal in fact calls Rama as “Navarasadipathi” indicating
that Rama was the personification of the 9 rasas. But the larger question is
addressed in the first verse of the Ramayana wherein Valmiki asks Narada : Who
is that one person living on this earth currently as an embodiment of all the
sixteen good qualities? The reply Narada
gives is as follows:
“Mahathaha mandaissaha neerandrena
samskleshaha svabhaavam – Sousheelyam”
This is the
crux of the very purpose of Lord Rama’s incarnation. A person is said to
possess the quality of “Sousheelyam” when he/she comes down to the lowest level
of his people and accepts everyone unconditionally. In the modern day leadership
perspective, this characteristic assumes extreme significance for a leader to
remain relevant amongst his/her followers. Especially for people in politics
and allied areas, wherein huge masses of people should accept a person as their
leaders, it’s very important for this person to gain the trust and win the
confidence of them. Hence Valmiki Maharishi has placed “Gunavaan” or
“Sousheelyam” as the most significant characteristic of an ideal leader. Hence
we can also infer from this that, “Sousheelyam” is the primary and the foremost
important characteristic of a good leader and this is the exact reason why
probably Gandhi extrapolated Rama as the central figure of his political
discourse understanding this guna of Rama.
Narada also
stresses on the quality of “Kritjnam” or gratitude as one of the great
kalyana guna Rama possessed. This guna of Rama has been coded by Valmiki in the
Sundara Khanda in Sita’s words when she encountered Hanuman in Lanka. Hence
these two gunas form the sacrosanct nature of Lord Rama making him the Mardyada
Purshottham of Bharat.
Thus, the Ramayana also helps us in adding value to the Grand Narrative politically and morally too
THE WAY AHEAD…
As explained above on how the Ramayana helps build the Indian Grand Narrative in many dimensions, this construction of the Ram Mandir is an important change in the landscape of Bharat. Given the revival of the Bharatiya civilization via this historic event, the government and other stakeholders must seize this opportunity to put together a grand narrative to protect this great civilization from various interventions.
Well compiled article...good job
ReplyDeleteThanks 😊
DeleteWell compiled article...good job
ReplyDeleteThanks again!
DeleteThat was interesting to read!
ReplyDeleteWow kudos a really detailed and well thought out article..
ReplyDeleteThanks
DeleteA detailed and an interesting read
ReplyDeleteA good read, well researched and informative as always. Well done Krishna
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